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Photo Roll

Module 1 - Rule of Thirds, Prominent Object, Depth of Field, Decisive Moment 

A portrait of Lee Harris at his piano, with pictures of family in the foreground. I attempted to use the rule of thirds by framing important elements in the top right and bottom left corners.
A closeup up the statues at the firefighter memorial near City Hall. The statue in front is a prominent object.
The locks of love on the Corktown footbridge, with a blurred figure in the background. An exercise in depth of field.
A motorcycle speeds off, (almost) capturing a decisive moment.

A portrait of Lee Harris at his piano, with pictures of family in the foreground. I attempted to use the rule of thirds by framing important elements in the top right and bottom left corners.

A closeup up the statues at the firefighter memorial near City Hall. The statue in front is a prominent object.

The locks of love on the Corktown footbridge, with a blurred figure in the background. An exercise in depth of field.

At an intersection near the Rideau Canal, a motorcycle speeds off, (almost) capturing a decisive moment.

Module 2 -  Patterns/Shapes, Textures, Leading Lines, Balance

A row of carts at the Farm Boy in Centretown, interlocking to form a pattern.

A row of carts at the Farm Boy in Centretown, interlocking to form a pattern.

Mikey the Monkey hangs over the bright colours and varied textures of the Produce Department.

Mikey the Monkey hangs over the bright colours and varied textures of the Produce Department.

The bike path near the canal might lead somewhere magical, guarded by a lamppost.

The bike path near the canal might lead somewhere magical, guarded by a lamppost.

A shot that splits between two floors on the Shefford, an attempt at a balanced photo.

A shot that splits between two floors on the Shefford. It is an attempt at a balanced photo., capturing the space between floors.

Module 3 - Lead Room, Internal Frame, Perspective 

A shot of the Rideau canal taken from the Corktown footbridge. This is an attempt to use the principle of lead room.

A shot of the Rideau canal taken from the Corktown footbridge. This is an attempt to use the principle of lead room.

The facade of the Shefford Heritage Housing Co-op. I employed internal framing using the door.

The facade of the Shefford Heritage Housing Co-Operative. I employed internal framing using the door and the cars in front.

A snow-capped lamp post in front of The Shefford. It is an exercise in perspective.

A snow-capped lamp post in front of The Shefford in Centretown, Ottawa. It is an exercise in perspective and prominent object.

A shot from the lobby of the Shefford, looking up at the ceiling. It is a perspective that makes a space abstract.

A shot from the lobby of the Shefford, looking up at the ceiling. It is a perspective that makes a space abstract.

More Photos

A candid portrait of my friend and neighbour, Lee Harris. It is an attempt to capture a moment in time.

A candid portrait of my friend and neighbour, Lee Harris. It is an attempt to capture a moment in time.

An extreme close-up shot of the peephole looking out of my apartment. It is an experimental perspective.

An extreme close-up shot of the peephole looking out of my apartment. It is an experimental perspective.

A close up of a metal shopping cart. An attempt to capture a pattern that is associated with a sound.

A close up of a metal shopping cart. An attempt to capture a unique pattern that is associated with a very specific sound.

This is the punchclock that guards the back room of Fram Boy. It is an attempt to capture different a perspective.

This is the punchclock that guards the back room of Fram Boy. It is an attempt to capture different a perspective.

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